Their complete composition covered practically his entire lifetime, from 1766 to 1791 and some of them were originated in actual improvisatory performances. The Irish author inspired many to explore the zeggingskracht of music. JAZZ DRUMS: 5 unconventional comping examples. To answer this question and put the results into practice, the author combined archival and digital research, interviews, and fieldwork. She took part in the Sommercourse Musik Zentral in Bad Aussee, Austria, several times. Where is chamber music ideally performed? Western art, literature, and music have told many parallel stories throughout the centuries. She then moved to the Netherlands to continue her studies with Daniël Brüggen at the Royal Conservatoire in The Hague, where she also studies the baroque oboe with Frank de Bruine. Practical application of this research via documented performance experiments however shows that modern performers can, when aware of the above historical evidence as well as the ideological pressures they face, implement stylistic tools from the past into modern interpretations of Brahms's works. Listen to the following excerpt from benjamin brittens theme. The material envisioned for this study is both original and retrieved from external sources. She participated during the URIM (liedduo masterclasses) in Brussels and received lessons from Anne Sofie von Otter, Christianne Stotijn, Eildert Beeftink and Julius Drake. Great performers possess outstanding technique but may not have deep musical understanding.
Research question: How can the embodiment of gestures help me to increase my performance focus with the aim of eradicating meaningless gestures during singing, and is it possible to create a step-by-step study plan that incorporates my findings? There are extra classes in solfeggio, harmony, improvisation, analysis and counterpoint. Coraline Groen obtained a bachelor's degree from the Royal Conservatoire in The Hague. Listen to the following excerpt from benjamin brittens badges. Based on interviews, questionnaires, comparison of baroque transcriptions and my own experience documented through the whole process of a transcription, this research investigates what is the best way to transcribe and play violin baroque pieces for soprano saxophone. In classical music, usage of the term dolce (sweet) to specify particular musical tones is frequently applied despite the word initially used to express a character of specific taste, which seems unrelated to music. It is palpable because its waves are transmitted through membranes enveloping all structures of the body (fascia) and can therefore be used to detect areas of restricted movement. Name: Mikel Ibañez Santervas. When I started analyzing songs I knew from my childhood, and started looking for characteristics on the internet, in chapter four, I deminstrated that there are some elements which appear in most of Romania's folk music, concerning instruments, scales and modes, meter and rhythm, ornamentation, 'doina' and gypsies.
Currently she is pursuing her master's degree with David Kuyken at the Royal Conservatoire in The Hague. One characteristic of this excerpt that suggests it might be from the Baroque Period is::29. Several of the greatest performers have recorded it achieving impressive results. My body reacted to this treatment with (lasting) structural changes, which have made breathing, articulating and resonating easier for me. Music only affects our feelings and thoughts. Names: Babylon Quartet: Kellen McDaniel, Danielle Daoukayeva, William McCleish, Leonid. The goal of the paper is to have a better understanding as to what instrument combinations can be added to baroque cello sonatas, and specifically to those of Jean-Baptiste Barrière. Silvia Escamilla Jiménez. This composition is a clear example of: 17:17. Wondering about my technique and musical decisions, I took the chance to compare the two instruments with each other. PDF) LISTENING TO WESTERN MUSIC | youlan wu - Academia.edu. Research Question: In theory, a bass player's walking quarter notes should not swing, as they are not syncopated like eighth notes are for example; syncopation being a necessary condition of what it is to swing, in that it allows for the long-short lilt that people identify with swing music. The sole function of the conductor is to beat time. The piece was written by violist Kellen McDaniel and his brother Marshall McDaniel. The aim of this research is, therefore, to attempt to understand how best to analyse Messiaen's unique harmonic language.
Rondeaus, ballades, and lai. The Unplayable Notes of JS Bach. While musicians make many smaller adjustments instinctively, as related to voicing or phrasing for example, learning the logic and mechanics behind such modifications emboldens one to make larger changes as related to tempo and even character – an interpretive flexibility towards which all musicians should strive. Title of Research: Keyboard transcriptions of orchestral works by M. Rameau. Summary of Results: Throughout the research I discovered that it is helpful to play the composers composition in advance to them, before actually performing it. Research Question: What are the different ways in which text and music are put together in the Romantic Melodramas? Iconography shows us that there are a lot of possibilities to play the cello. The research process changed my vision about topics such as the role of the soloist, the interpretation of ornaments, melodic lines and rubato as well as the imitation of the guitar in De Falla's music. To conclude, I hypothesise that lute players might have listened to and copied each other's intabulations unconsciously, and when they wanted to preserve their work, they might have made some adjustments to their intabulations. The Young Person’s Guide to the Orchestra | work by Britten | Britannica. Due to the 100th birthday of Garoto next year (2015) I also engaged some different projects to promote his music and his name: a CD recording, a documentary and a Festival with recognized musicians performing Garoto's works. During this research I will focus on primary sources that deal with articulation on various non-reed wind instruments of the period in question, such as the recorder, the cornetto and the trumpet. Karol Szymanowski and Polish Folklore. Sorry, preview is currently unavailable. My main conclusion is when writing for these arrangements it is allowed to make many modifications from the original version but always depending on the characteristics of the instrument and the baroque transcription criteria and keeping the original intention of the composer.
Adding to the Narrative: Intersectional Feminist Critical Curatorial Practices in Classical Vocal Music Performance. Breaking away from this restrictive model, the Sturm und Drang influence crept further into cross-disciplines of poetry, theater and painting, yet striking deepest in the most ambiguous and indefinable of arenas, music. Pointing at these categories and defining them could provide us with more words in pedal/drone-vocabulary.
The last approach which is motivated by the musical intention should encourage teachers to use instructions based on an external focus in order to help the student finding his own voice in music. What are the methods of Elvin Jones' playing and how did famous jazz drummers deal with his heritage? This melody combines disjunct, conjunct, and repeated tones. Which of the following is the composer for this piece? This research hopes that the findings bring about more awareness, acts as a source of information, and encourage more open discussions on the way musicians practice and perform, as more attention could be given to this in the way we shape music education. Listen to the following excerpt from benjamin brittens pond. Primarily through harmonic arrangements, changes in melody and textual edits made by Britten. I have used a combination of my own fieldwork, interviews, rehearsals, recordings and historical research to create an in depth research into the differences made to the traditional songs by Britten in his arrangements. He is a member of Ciconia Consort Orkest, a string orchestra in The Hague; Salad Ensemble, improvised music project, in Portugal; João is a regular guest in The Residentie BachOrkest and in the Rietveld Ensemble. Montsalvatge found in Antilleanism a sort of "secular post-nationalism", a personality of his own.
In 20th-century music, traditional harmony and tonality were redefined or rejected in favor of: Atonality and serialism. This year, for too many people, that moment will be endless, and personal. From publisher to public. A description of practical experimentation approaching one work with fagottino, as well as the observation of a young player's first confrontation with the instrument is included. An advanced 12th-century four-voice organum. Research supervisor(s): Kate Clark. The starting point for the essay is my position as a student counsellor at the University of Arts The Hague dealing with students that have personal issues that affect their artistic development. As the first decades of the 19th century witnessed important developments in clarinet making and instrumental technique, it has been essential to discuss this point in this research. This research has proved to me that the Russians play very expressive, with a lot of passion and freedom. Due to an exponentially growing number of compositions and a complete lack of pedagogical material regarding simultaneously using the voice and playing the double bass, I have written a method book titled The Double Bass-Voice: A How-To Guide.
He is currently completing his Master's degree at the Royal Conservatoire in The Hague, where he studies recorder and baroque flute. Name: Mieke van Dael. Research process: The following questions have guided my research and relationship with the XVII century recorder treatise La Fontegara: Was Ganassi an artistic researcher? After completing her Bachelor's diploma in modern violin an interest in historical performance practice let to her move to the Netherlands in order to study in the early music department of The Hague Royal Conservatory.