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This research about Caldara is one of her explorations. Research Question: Can shedding new light on women composers' contributions to the wind band and ensemble repertoire via the creation of a catalogue, the preparation of a critical edition, and the commission of a new work, help to encourage more Portuguese women to compose for this medium? Many modern performers however are unaware of Servais's numerous and important contributions to the history of cello construction, playing style, and technique. Name: Emilie Bastens. Listen to the following excerpt from Sergei Prokofiev's Symphony No. Once all the data has been collected, I drew conclusions in order to contribute to the musical educational community and create new ways of preparing the wind band repertoire. This impact did not happen in the highest vocal. This is exactly the case of Pablo Sarasate.
Name: Alexandra López Arca. Adding to the Narrative: Intersectional Feminist Critical Curatorial Practices in Classical Vocal Music Performance. She moved to the Netherlands in 2012, to complete a second Bachelor's degree in Historical Clarinet and Chalumeaux at the Koninklijk Conservatorium in Den Haag. However, the practices of regular concerts and online video are very different in nature.
For this I designed a graphic theoretical framework that helped me analyze the existing methods. Some research has been done on the instrument already, particularily on its general history and repertoire. In today's practice, bows with a screw mechanism and white hair are the most common type used by viola da gamba players. The Brass Players Stutter. For this I used the information and planning techniques I got from Erja Joukamo-Ampuja, one of the speakers at the conference 'From Potential to Performance' in 2013. This research includes a harmonisation of a melody by Messiaen in the style of the chorales in La Transfiguration. Title of Research: Proposing Live Electronics as an Alternative to Larger Performance Set-Ups. What are aspects of the evolution of the violin bow, its use and the evolution of right hand technique from the 18th century until now that are essential to be aware of when playing with both modern and baroque bow? Summary of Results: This research sets out to contrast and evaluate diverse standpoints from psychology and philosophy to discuss firstly how emotions can be defined, whether music creates real emotions in us, and what capacities we possess to be both receptive and conveying of emotion within music. I came to the conclusion that a structural, full implementation of the concept would have implications for the practical arrangement of my teaching. One aspect of composing is making countless connections, consciously and unconsciously, to other works. Representative melodramas by early and late romantic composers are discussed. By incorporating the voice as a tool into individual practice, understanding an efficient practice process and fundamental vocal technique, having access to simple etudes to develop double bass-voice technique and coordination in musical contexts, and knowing what to expect in notation, double bassists will be better prepared in learning works for double bass-voice more efficiently. The rhythm of the following example suggests that the piece was composed during the Classical period.
All conclusions were drawn after taking into account specific studies mentioned in the theoretical framework and with respect to the observations made by three external experts. Recommended for the examinations of the Royal Conservatoire would be to draw up a set of criteria, which are clear for the students and for the teachers who will grade the students. The Effect of Mental Imagery in Daily Practice. Towards an integrated method for practicing: internalizing the composer's language. Two main performance case studies are considered for comparison: the first linguistic, being Walker's 1787 annotated version of Edward IV's speech from William Shakespeare's "Richard III"; and the second musical, being the Adagio movement of Joseph Haydn's 1794 Keyboard Sonata Hob. The initial perception of the concept is of influence, but also the practical reality of a particular teaching practice. Is an autonomous element of the performance that adds a particular atmosphere to the whole picture. When she was 9 she heard a lute on a CD and immediately fell in love with its sound. At that time in the Netherlands, double basses and bassists were around and it is not unlikely that they also played in relatively small settings such as chamber music. She has also developed a new music learning tool, the Movable Do Disc, and is continuously developing ideas and methods around it. This instrument is called: Percussion instruments are an essential part of marches. You can clearly hear in his soloing that he is using these rudiments in his own unique way, making them sound swinging and therefore adopting them into the bebop drumming. Return to Discovering Music 2e Student Resources.
This essay focuses on the connection between personal and artistic growth. This project gives a framework for comparison between the results of the different methods and reflection about the connection between technique and musicianship. Antonio Casimir Cartellieri: a forgotten master at the Viennese Court. How can classical exercises be incorporated into jazz improvisations and still sound spontaneous, creative and true to the jazz drumming idiom? What were the instruments used by the original performers? Important when giving feedback is that the learner is aware of receiving the feedback, and that the comments are objective. Music played an important role in the courtship of his wife, Martha Skelton Wayles, a harpsichordist and singer.
This continuity of ideas, combined with the results of my interviews with current student and professional historical flute players has brought me to the conclusion that it is quite valid for historical flute players to include methods intended for Boehm system flutes as part of their practice material. Tuning a concertina from 1924, in Skhismic tuning, an extended Pythagorean chain of 24 fifths, affords a system of 'practically just intonation', described by Ellis in the Appendix of Helmholtz' 'On the Sensations of Tone' (first English translation 1875). Which time period is generally considered the Renaissance period? Johan Smeulders finished his first Bachelor degree in 2011 as a euphonium player at the Fontys Conservatoire in Tilburg. They are pleasant, charming, and unassuming works of the chamber genre, idiomatically suited for the solo instrument, emphasizing directness and balance of conventional structure. What was the nature of the performer-audience relationship in 18th-century England and how can this influence our relationship with audiences today? Beethoven's setting of "Ah, Whether It's My Luck, Such Luck" (Opus 59, no. Furthermore, this information could also help not only pianist performing Nights in the Spanish Gardens, but also any musician playing Manuel de Falla's music. Stressed: unstressed.
While I was listening to the great jazz drummers, I discovered that a perfect example for this is Philly Joe Jones. The harpsichord was used as an accompanying instrument in opera only in the 16th century. He stands out from his contemporaries having inherited not only some aspects of Alexander Scriabin's musical style, but, most prominently, the Russian symbolist belief in transcendence and collective spiritual uplifting through the performative act as well. This excerpt demonstrates::19. It also did me realize how extremely important it is for the young horn player to develop the inner hearing very well and make the logical steps from sound to symbol. Ultimately, the hope was to better understand their outputs for wind band, to promote their works, and to make way for a new composition for wind band from a female Portuguese composer. Further research is necessary in order to work out these exercises for more repertoire of all levels, styles and even instruments. Universidad de La Rioja, 2015La creación musical de Roberto Gerhard durante el magisterio de Arnold Schoenberg: neoclasicismo, octatonismo y organización proto-serial (1923 – 1928). The Improvisational Ear-How to build improvisational language through the study of speech. Iconography shows us that there are a lot of possibilities to play the cello. Effects of visual instructions in one-on-one violin lessons. Throughout this research, I will first observe the historical context of these two genres and their connections with the world of the Commedia dell'Arte. After a thorough search through RISM (Répertoire International des Sources Musicales) and other online library catalogues, a total of 203 vocal works that include one or more parts for chalumeaux is presented in this thesis. The content of this research provides an analysis of mindfulness practices and goal-setting strategies and their application to the instrumental practice of music conservatory students.
Russian Paganini of the Catharina the Great court. The aim of this research was to document the available information that would come to the fore while working with a group of experienced Stockhausen collaborators, each of them a specialist in sound reinforcement and sound system engineering. Finally I will look at the examples. Title of the Research: The Russian way of playing the accordion: a case study related to the Chambersuite of Vladislav Solotarjow. As for the arrangement, I am a pianist myself, and played and studied a lot two piano-pieces in the past. Using these analysis tools and categories, I investigated examples within roughly the past sixty years of pieces that use field recordings as source for instrumental music, be it for transcription, score, background, or for live interaction. My research and thesis leads me to a close reading of Ganassi's recorder and diminution treatise La Fontegara, trying to go beyond the text and its possible literal meanings and tracing the lost instrumental practice of diminution. To determine the level of accessibility of music production software, this thesis reviews industry practices and research concerning assistive technology in music production by analysing the most popular digital audio workstations' accessibility features. Precise as he was, Beckett left out a question mark in the title, both in the original French version of Comment dire and in his English translation. Title of the research: Caprice Basque op. Throughout of the 18th century there were many attempts in Spain to modernize the society, the economy and of course the culture, trying to get a closer position to the leading nations of that time.
After the layout of the framework, the interview with dancer and choreographer Mar López provides a critical comparison to support the theory through the experience of someone outside my environment. Important role in the orchestra, that there was a lack of good double bass players at the. Even though the idea that "space and spatial experience as aesthetically central" regarding its sonic attributes is a central topic in acousmatic music, it is also of interest for orchestral composers, especially from 20th century onwards. By comparing all the different details in each score and by creating and trying out new options and solutions I managed to make a new edition that is a compromise between the original idea and musical intention from the manuscript and a technically comfortable and playable score.
At every step of preparing this research, I was surprised at the new depth and interest, as both performer and listener, which I found through the richer understanding of the formal structures and historical context of each work. 15 on my own instrument. "Be slowly lifted up" (Sonnet: On Seeing a Piece of Our Artillery Brought into Action). Sonata-allegro form was used mainly in works for solo piano and did not apply to works for larger ensembles. Before moving to Amsterdam, she studied modern violin with Jan Repko, taught at Chetham's School of Music and studied Dalcroze method in Manchester, UK. Title of Research: The violin-type fingering and oblique left hand position in the history. The Electronic Trombone. Title of Research: Approaching jazz composition through the music of Billy Strayhorn. Especially on this instrument, a more reflected use is desirable. A performer has to be aware that a composition is a changeable piece of art, so a composer can always change the performer his opinion on the piece, even if the performer disagrees, both parties should come to a common solution. Samuel Tirado begins his studies in Salamanca, where he completed a bachelor degree with Patrin Garcia Barredo. They consist of violinists Leonid Nikishin (Russia) and Danielle Daoukayeva (Netherlands), violist Kellen McDaniel (USA), and Cellist William McCleish (Canada). Besides that the thesis will try to answer the question if Lloyd was able to combine his own musical views with the demands of the test-piece commissions. This research has a twofold intention: reconstruct the life of Torelli and investigate the origins of a genre of which he is considered to be the father, the soloistic concerto.
Lyon & Healy: the American Harp.