From the recording Learning To Fall. I Hope I Get It (From "A Chorus Line" Soundtrack) Lyrics. In high school productions, the number is redubbed "This and That. Really hammer it home, in spite of the major chord accompanying them. Gituru - Your Guitar Teacher. Boys and girls together. The film A Chorus Line copied All That Jazz in return. Award-Bait Song: From the film adaptation, "Surprise, Surprise", which many fans of the musical despised because it cut out "Hello Twelve, Hello Thirteen", with some really dumb lyrics. Boy, was that great! A measure how positive, happy or cheerful track is. Right, number 37, 149, 152, 179, Cassie.
Uncanny Valley: Invoked in the film when Zach grabs Cassie to show her what she's auditioning for, as the other dancers are now mechanical, grinning automatons. The first group of girls steps out to do the jazz combination. Worth It: "What I Did for Love" sees Diana, followed by the other dancers, declaring that all the struggle and strife they've gone through trying to make it as dancers was worth it, as dancing is what they love (and they'd rather not face the question of what will happen when they're no longer able to dance). A catchy chorus number where the backup chorus sings about how awesome the female lead is. Third group of boys. Sexiness Score: In the song "Dance: Ten Looks: Three", Val describes the typical producer's reaction when she went to an audition. Sadist Teacher: In "Nothing", Diana Morales tells the story of Mr. Karp, her high school acting teacher. Opening: I Hope I Get It is a song by A Chorus Line Ensemble (2006), released on 2006-10-09.
Ask us a question about this song. They do their best to impress the director, Zach, and hope they get the job. I hope I don't lose it. Number of Pages: 14. The dancers who are cut near the end of "I Hope I Get It" are named in the script, but not in the dialogue. Sheila's childhood - mother who abandoned her dancing dreams for an unhappy marriage and then pushed dancing on her daughter - came from her original actress, Kelly Bishop. Tricia: Touring company.
Tricia dances so big, she winds up in front of Sheila, Sheila exchanges a glance with Zach. When I find the place. Musical World Hypotheses: Although the setting backstage at the auditions for the chorus line of a Broadway musical might seem to lend itself to mostly diegetic music, "One" is the only diegetic number, with the other songs falling under either Alternate Universe or All In Their Heads. Minsky Pickup: The show starts with this, played on a rehearsal piano to lead into Zach drilling the dancers in the combination for the first stage of the opening "cattle call" audition ("AGAIN! Written by: MARVIN HAMLISCH, EDWARD KLEBAN. Again Step, push, sharp pivot, touch, kick. When am I gonna grow tits?
Next group... and... (Second group of girls steps out and begins the combination. Number five, number seventeen, number forty-four, forty-five, sixty-three, sixty-seven, eighty-one, and eighty-four. To Val) You downstage. Would they have anything at all to fall back on? The hours pass like streetcars. Number sixty, upstage... (Zach goes into pantomime, continuing to form groups, as the others sing. It's step, step, up cross, turn from there... Mark: (incredulous) Forty-four?! "Diff'rent, " she said, "with a special something and a very, very personal flair. Dieses Video ist aktuell für den Songtext hinterlegt: Falsch? Last Update: June, 10th 2013.
Embarrassing Nickname: During the montage, Mike recalls that he was stuck with the nickname "Stinky" for three years at school after a single incident in which he broke wind in front of his classmates. Long-Runners: This was the longest-running Broadway musical for some time, beaten by Cats. Flashback: The film adaptation expands the subplot of Zach and Cassie's failed relationship with flashbacks to both the happier times, when they were living together and Cassie's star was on the rise, and the sadder times, when their diverging careers caused them to spend more time apart until finally Cassie had enough and left. Character Shilling: "One, " the musical's closing number, further insults the dancers and their talent by telling the audience to ignore them and focus on the (unseen) star of the show. Connie's level of experience and personality were inspired by her original actress, Baayork Lee. From: Instruments: |Voice, range: Bb3-G5 Piano Guitar Male Voice Female Voice Backup Vocals|.
Tap the video and start jamming! Okay boys, stage left.