Hong won the Best Director award at the Locarno International Film Festival in Switzerland in 2013 for "Our Sunhi" and the top Golden Leopard award at the same film festival in 2015 for "Right Now, Wrong Then, " which also earned its male lead Jung Jae-young the Best Actor prize. Potential spoilers in the next two paragraphs. ) Part two, which, like part one, runs about 25 minutes but is a little baggier and less prickly fun, follows a similar pattern, with Gam-hee visiting her friend Su-young (Song Seon-mi), a Pilates teacher and dance producer with bleached hair. He isn't trying to make any global statement about how the world really is, but rather just make keen observations of the people that interest him, the objects that he finds beautiful and the moments of time that resonate with him. After a three-film run in black-and-white that concluded with Hotel by the River, Hong has returned to the world of color for his latest. His wife has been unable to provide one and gives him permission to seek a surrogate. This is the low-budget debut most aspiring filmmakers dream of making. ‘The Woman Who Ran’ (‘Domangchin yeoja’) Review –. A rift on the city versus rural divide in Korea, its stunning cinematography is blended with a truly unique soundtrack, often leading with electronica music, but most memorably utilising The Flying Pickets' 'Only You' for one scene. They too talk about real-estate values and good neighborhoods and have a meal together, and Gam-hee again recounts the fact she has never been apart from her husband of five years for even a day — though given the film's chronology, it must by now have been at least two days. Cinematographer Kim Su-min regularly indulges in the zooms familiar from the director's other films and does something interesting with all the male characters here, all seen only from behind, turning them into anonymous nuisances encroaching on the space of the women at the center of the story. In Io Island, also known as Iodo, an investor who is planning on building a tourist resort undertakes an investigation into the legends of Io Island and the mystery around a death. "GRASS's main set is a languorous coffee shop, Kim plays A-reum, who quietly sits in the corner and eavesdrops sundry conversations of other patrons, and is mildly baffled when one of them approaches her for a rather audacious favor.
The firm also hinted at Hong's determination to divorce his wife, saying that "(Hong) would like to seek court approval again when the social circumstances are ripe. Oct 11-12: Union Cinema - Milwaukee, WI. The Age of Success (1988). Often low-key, coasting along on its own vibes, it is a film comfortable enough in its own skin to do so.
A murder mystery which soon subverts the genre by expanding into a more profound exploration. They are a slight nudge from the director to pay attention; to focus on the shift in tone that has just occurred or to highlight the absurdity of a recent statement from one of the characters. After drifting in his teenage years while avoiding studying for the entrance exams to university, Hong met a theatre director, via a drunken introduction from his friend. Hotel by the river hong sang soo tumblr video. My Sassy Girl (2001). It follows Do-seong, a child monk, who lives in a peaceful mountain temple. Gamhee is spending time without her husband for the first time in five years owing to him being away on a business trip and she decides to visit some friends on the outskirts of Seoul. What begins as a tale of a slightly egotistical film director, reverses and paints him in a more sympathetic light the second time around. Teenage rebellion without limits. Jin is a young girl living with her mother and younger sister, Bin.
Their votes formed this top 100. Set in the 18th Century, a governor's son named Mongryong marries the beautiful Chunhyang, the daughter of a courtesan. It was this chance suggestion that resulted in him enrolling to study theatre at university, before quickly changing to film. Re-accustoming to life in Korea, she is managing it one day at a time. Opening on a bellowing scream, photographer Kim Chul-woon is found dead by her landlady. Writer-director-editor–music: Hong Sang-soo. In a sense Hong Sang-soo is an atypical artist. Director Hong Sang-soo not to challenge court's dismissal of divorce suit. He makes films of people—people in rooms: drinking, sharing, loving, basking in the beautiful absurdity that is our life. In his 2015 film Right Now, Wrong Then, Hong uses a total of thirty-two zooms.
A single father makes a living with a horse-drawn cart alongside his two sons and two daughters. Village in the Mist (1983). Funny, heartfelt and often bittersweet, we are assisted here by such a likable group of characters to make us invested in their fortunes. The cinema of Hong Sang Soo. However, the pair's working class connections continue to hold them back. Says the director, repeatedly. Chilsu and Mansu (1988). While essays have been written in attempts to deconstruct the code that is his body of work—in reality, his work is much more simple.
A superb script and understated performances combine to deliver a charming and humorous take on what a broken heart and too much soju can create. The Day He Arrives (2011). It's almost Daoist and spiritual in certain points of view, but the director himself admitted that intention is something that one can never truly remove from your work; it is the pursuit and attempt that is important. All rights reserved. Apr 4-20: Minneapolis-St. Paul International Film Festival - Minneapolis, MN. One Fine Spring Day (2001). Sometimes films are necessarily bleak in order to imprint their message on your mind. His films are stripped back, removed of artifice, allowing space for the viewer to take their time and appreciate what is being shown before them. What seems like another rom-com to throw on the pile eventually turns into some more meaningful and ultimately heart-breaking. Hunched over like a shell of a man, his figure viscerally displays the inner emotion that this music stirs in him. Hotel by the river hong sang soo tumblr.c. We witness his rise as a painter and his often hostile behaviour, all taking place during vital events in the history of Korea.
Number 60 on the list signals a flurry of entries from Hong Sangsoo, staring here with this romantic drama featuring scriptwriter Soo-jung, producer Young-soo and wealthy gallery owner Jae-hoon. A road movie that is satiric while providing genuine social commentary of Korea at the time. This proves to be Ok-Nyo, a young peasant, but matters soon become complicated. Simply titled as Oh! Hotel by the river hong sang soo tumblr years. This director suggested that if he wasn't doing anything, why not try his hand at theatre. 100 Greatest Korean Films Ever. 158 international film critics from 28 countries and every continent in the world except Antarctica told us their greatest Korean films ever. Time for more Director Im, this features a star-turn from Kang Soo-yeon as the surrogate mother at the centre of this tale which proved an international smash for Im and cast. Earlier this month, the Seoul Family Court confirmed that the marriage came to a crushing end but refused to approve the divorce on grounds that a spouse responsible for marital breakdown is not entitled to seek court approval for divorce.
A film by Hong Sangsoo. Perhaps this is the secret of the power of Hong's cinema, as perhaps no one is as sincere as when they believe they are not giving anything away. Making the novelist's film wasn't easy, the nephew confesses; they watched it hundreds of times in the editing room. Like You Know It All (2009). Contribute to this page. A melodramatic, engaging and funny classic that has permanently secured its place in the pages of Korean cinema history. Her first stop is the home of bespectacled, slightly weary-looking Young-soon (Seo Young-hua), who recently divorced and moved to the outskirts, where she has a vegetable patch close to her apartment. Such a fate befalls new wife Hae-sun and she becomes a targeted widow presence on the village. Night Journey (1977). Director Hong again, this time focused on a college student called Haewon who had a secret affair with Seongjun, her professor. The force and fire of this argument, along with its small repetitions, has the immediacy of improvisation. This improvisational, innocent way of creating is evident in his film On the Beach at Night Alone (2017). Instead, Eun-joo and Sung-hyun can communicate through a beach house mailbox while living in separate timelines two years apart. "Gangster's just a label.
Still so young and wasting her life! Production company: Jeonwonsa Film Co. This is a mysterious, disorientating and sometimes truly disturbing piece of cinema. A Petal is a film about the long-term ruination of the psyche of not just a young girl, but an entire nation in the wake of the Gwangju Uprising. While these was a relatively cheesy technique that was more popular in the cinema of the 70s. The idea bubbles through further meetings: with Kilsoo's nephew, a film student who could be their cinematographer, who joins them in the park, after which they return to the bookshop for a very Korean drinking session with a visiting poet it transpires Junhee knew in her younger and wilder days. Perhaps one of his lesser known works, its story also fits with his success on such a ranking as arthouse director Goo Kyeong-nam (Kim Tae-woo) cannot land a hit feature but the critics seem to love him (read on to see that proven of Director Hong in real-life! She is then set on a mission to reunite her group of high school friends in middle-age. On the Beach at Night Alone (2017).
From there, he starts to spend time with this feisty girl and a sporadic relationship of sorts begins. The first of three Hur Jin-ho films on the list, this is subtle and subdued, with the highs and lows of love expertly portrayed here. It wouldn't be a Hong Sang-soo film without the intoxicating effects of alcohol. With her mother immigrating to Canada, Haewon is feeling low and reaches out to Seongjun again after a long hiatus. Winning Im Kwon-taek the Best Director award at 2002 Cannes, this is a solemn take on the tortured artist format. Apr 19-25: Gene Siskel Film Center - Chicago, IL. When Hyun-shik, a criminal on the run, comes to stay, a near-silent bond is formed between these two lost souls. A reminder of the loss that he has just experienced. The fact that Gam-hee clearly wasn't aware of where Woo-jin has been working for the past two years is already a little odd. Despite the breezy and natural conversations between characters, these all speak to a larger issue bubbling under the surface and we gradually start to piece together the hopes and anxieties of Gamhee. We don't need to see it. There's a brief moment in which the theater employee asks the protagonist for forgiveness for an undisclosed act.
Set in the late Yi Dynasty in the back end of the 19th century, it demonstrates the obsession to continue male lineage and takes aim at the ancestor worship which was so prevalent in the traditional Korean family.